This means that the lithograph was the twelfth one produced in a series limited to three hundred prints. A signed lithograph may have a set of numbers expressed as a fraction on one corner, such as 12/300. Since the process for creating a lithograph can be just as time-consuming and detailed as an original painting, printing runs are often kept low to preserve value. This same process is used to create color pages in newspapers. The same paper would be placed precisely over the re-inked plates, eventually creating a satisfactory lithograph copy. A color lithograph of an elaborate Van Gogh painting, however, might require several different runs with up to four different color inks - black, red, yellow and blue.

If the original image were a monochrome pen and ink drawing, this would be the only press run necessary. The inked stone or metal plate and the paper are placed in a press and light pressure is used to transfer some of the ink. A sheet of paper, preferably one with a high cotton content, is then placed over the entire plate. Water is then wiped onto the remaining unpainted areas to discourage the ink from smearing. An oil-based variety of ink is applied directly to the plate and immediately bonds with the equally greasy crayon lines. The lithographic process hinges on the principle that oil and water cannot mix. After the image has been recreated to the satisfaction of the original artist or other authority, it is ready to be turned into a lithograph. This is by far the most time-consuming part of the lithograph process. The artist uses a set of greasy crayons or pencils to draw a mirrored image of the original artwork onto a smooth stone tablet. To create a lithograph, however, no etching is required. Most printing presses require the print maker to etch an image or text into metal plates or physically carve out the image on blocks of wood or other soft material. The printing process which creates a lithograph is different from other traditional methods. A lithograph is rarely worth more than the original artwork it reproduces, but if the print quality is excellent and the production numbers are low, it may still have significant value in the art world. A lithograph is an authorized copy of an original work created by the artist himself or other skilled craftsmen. This is where the idea of a lithograph comes into play. Most people could not afford to own an original piece of artwork by Picasso or Van Gogh, but having a copy of their masterworks wouldn't be such a bad idea. Lithograph print making or Lithography was invented in 1798 in Germany by Alois Senefelder.

Fine art lithograph paper